Title:	‘DICTEE’, META-FICTION OF EXPATRIATE WOMAN ARTIST
Author(s):	Jiha Kim , Timothy Yoonsuk Lee
ISBN:	978-972-8924-84-3
Editors:	Yingcai Xiao, Tomaz Amon and Piet Kommers
Year:	2009
Edition:	Single
Keywords:	Post-Feminism, Cha Hak-kyung, Woman Image, Video Art.
Type:	Reflection Paper
First Page:	335
Last Page:	338
Language:	English
Cover:
Full Contents:	click to dowload
Paper Abstract:	Most post-feminists oppose to women’s subjectification. We need to pay attention that women’s post-subjectification does not means removal or death of subjective. Women’s post-subjectification means how other possibilities concealed or fallen off in subjectification are exploited politically. Cha Hak-Kyung uses various material like letter, document, map, photography in a work to restore innumerable voices. But there materials have vague boundary with fictional description and are mostly far from precision of indication, suitability and connection. Cha Hak-Kyung has represented the problem of Korean history and women in various and heterogeneous ways, holding fast to self-conscious manner. Her works, which shows intensively contrast of Korean-American women artist in boundary of the third world, expresses strong nationalistic ideology that can make origin of identity found though mother country’s inheritance, and reveals contrast desire to escape from the ideology for new mixed relationship.
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